Luigi Schiavonetti, “Valentine, Proteus, Silvia and Julia” from “Two Gentlemen of Verona” (1852) |
Be careful what you wish for because Shakespeare's "light" comedies usually involve something horrific.
What would it be this time? Racism? Anti-Semitism? Physical violence? Well, yes, to an extent. All of the above. Oh and rape.
One of the "gentlemen," Proteus, is "in love" with Silvia (he's "in love" with all the female characters at one point or another, not that there are very many of them) and if she doesn't feel the same way, why he'll just "woo you like a soldier, at arms' end, and love you 'gainst the nature of love,--force ye...I'll force thee yield to my desire." Charming.
But never fear! Valentine is here! He "saves" Silvia. I say he "saves" her in that he stops the rape, but then Proteus apologizes--more to Valentine than to Silvia--and how does Valentine respond? He basically says, "Aw shucks. That's okay. As long as WE'RE still friends." And then he gives Silvia to Proteus as a sign of their friendship!
Oh and did I mention that Julia, another woman that Proteus has claimed to be in love with, sees this and freaks out because she wanted Proteus to herself? HOLY SHIT.
You know, plays like Macbeth and King Lear and Othello make me appreciate just how wonderful and timeless Shakespeare's words can be. But honestly, if he were only famous for plays like Titus Andronicus and Love's Labour's Lost and The Two Gentlemen of Verona...well I doubt he'd be famous at all.
If you're looking to read ALL of Shakespeare's plays because, like me, you're on some sort of personal Shakespeare-based mission, then yes, you'll have to read these ones. But if you're just looking to get better acquainted with the bard to find out why he's still talked about and studied over 400 years later, then move on. These are not the plays you are looking for.
Go back to the ones that are really, really famous. Turns out people like those ones best for a reason.
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